We get some nice shots of the Theatorium Sweet Shop at the beginning of the
Ben Turpin comedy "A Studio Stampede" (Vogue Films, March 1917). The
film was reissued for the home market as "Out of Control." Here Ben is in front of the Theatorium Sweet Shop in a storefront of the building
housing the theatre called the Theatorium at 1624 Sunset Blvd. in Echo Park.
Robin
Williamson directed the cast which also included Gypsy Abbott, Arthur
Currier and Edward
J. Laurie. Thanks to the Silent Film Detective John Bengtson for getting this screenshot and the others below.
Another Theatorium Sweet Shop view. John notes that the reflections in the glass are from a trolley going by. See the page about Echo Park's
Theatorium on the Los Angeles Theatres site. It had opened as the Globe and ended up in the 40s being called the Holly Theatre.
We also spend some time in Hollywood. The cameraman is standing in front of the Iris Theatre, 6417 Hollywood Blvd., for this view of destitute Ben approaching on the left. John notes that in the background of this shot we're looking across to the southeast corner of the Hollywood Blvd. and Cahuenga intersection.
One of our commentators notes: "In this shot looking southeast across Cahuenga, you can see the old
mission style frontage of the old Pacific Electric Hollywood Station. It
became a restaurant site at some point, and then was torn down for a
new structure. A rail yard sat to the east side just adjacent to the old
church property. The new freight station was built down on Santa Monica
at La Brea as the Vine Street area was being developed."
We see lots of the entrance of the Iris Theatre in the film because Ben's character is in love with the screen star Dora Darling and one of her films is playing. John calls our attention to the lower right where there's a bit of the "IRIS" in the tile.
An image of Ben's love fading in.
When coming out of the theatre he grabs a publicity still of his favorite star off the side of the boxoffice and gets into a tussle with the cashier. John Bengtson notes that the reflections in the glass offer a view of the building across the street. Head to the bottom of the page for that image.
We get a view of the boxoffice as Ben walks away with his prize.
John comments about these shots: "I was so relieved to see that the theatre was
on the north side of the street. That meant the early morning
sun would cast shadows to the left, as apparent during the movie. Somehow black and white morning
scenes look different than black and white late afternoon scenes.
Shadows are great compass direction clues, and I rarely seem to be
incorrect about morning vs. afternoon light, even though you’d think they
would photograph identically."
The cashier comes out and tries to stop him, unsuccessfully. Ben's next order of business is to head to the studio to meet Dora.
The Iris Theatre page on the Los Angeles Theatres site has more about this location, the second of three to use the Iris name. In early 1918 this one closed and the operation moved to a new theatre at 6508 Hollywood Blvd., one that would be renamed the Fox Theatre in 1968.
On IMDb: "A Studio Stampede"
| Part One - YouTube | Part Two - You Tube | A very low-res version is on Internet Archive. |
Across the street from the Iris:
John Bengtson did this flipped version of the boxoffice shot to better look at the reflections.
The building we see across Hollywood Blvd. John located this image in the Historic Hollywood Photographs collection. It's a cropped version of their catalog #HB-043.
Thanks to John for spotting the Iris
in the film. He thanks Stan Taffel, president of Cinecon, for the loan of their print of the film. Check on John's latest
explorations via the Silent Locations blog "Chaplin-Keaton-Lloyd film locations (and more)."
John's books are available through Amazon or your local bookseller: "Silent Echoes: Discovering Early Hollywood Through the Films of Buster Keaton" | "Silent Traces: Discovering Early Hollywood Through the Films of Charlie Chaplin" | "Silent Visions: Discovering Early Hollywood and New York Through the Films of Harold Lloyd"
In the shot looking southeast across Cahuenga, you can see the old mission style frontage of the old Pacific Electric Hollywood Station. It became a restaurant site at some point, and then was torn down for a new structure. A rail yard sat to the east side just adjacent to the old church property. The new freight station was built down on Santa Monica at La Brea as the Vine Street area was being developed.
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