In George Cukor's "A Star is Born" (Warner Bros, 1954) the Chinese is the location for some of the opening premiere shots. As the searchlights strike up we're told it's a big night in Hollywood. This image is reversed -- we're looking into the reflector of one of the searchlights -- that's the positive carbon in its feed mechanism on the right. Note the P.E. Red Car in the image. At the upper edge just right of center we see the bottom several letters (reversed) of one of the Chinese Theatre's verticals.
A fuzzy shot looking east on Hollywood Blvd. where we can make out the signage for the Vogue Theatre and, on the lower right, the El Capitan -- here still with its 40s vintage Paramount marquee.
Glen Norman comments: "Premiere footage of 'The Robe' incorporated into
the opening scenes was a test of Warner Bros.
'WarnerScope' process-vastly inferior to CinemaScope. Jack Warner
finally saw the light and used Cinemascope for 'A Star is Born.' The
WarnerScope footage used in the opening scenes looks muddy and is a
sharp contrast to the CinemaScope footage shot at the Shrine
Auditorium."
Head to the Grauman's Chinese pages on the Los Angeles Theatres site for more about the theatre. And while you're exploring, visit Kurt's GraumansChinese.org website for a list of films to play the theatre indexed by year, a history of projection technology and much more.
But it turns out we're not going to the Chinese -- our event is at the Shrine Auditorium. Director George Cukor is pretending the Shrine is on Hollywood Blvd. so he can get a busy street scene. That's something you don't get at the Shrine.
A shot across the lower portion of the Shrine Auditorium's facade with the crowds and cars supposed to match the action we've seen in the Hollywood Blvd. shots. The event is a "Night of Stars" benefit for the Motion Picture Relief Fund.
Then we get another Hollywood Blvd. shot. It's a quick fuzzy pan across cars and the crowd. But as, Kurk Wahlner has noted, you get a quick look of the art for "The Robe" in a display case at the Chinese. That's Richard Burton, Jean Simmons and Victor Mature in the poster. That trio is certainly not going to be at the event in our film. The footage comes from the premiere of "The Robe," the first film in Cinemascope, on September 24, 1953.
Another Hollywood Blvd. shot before we go inside the Shrine to our event. Here we're looking west toward the Hollywood Roosevelt Hotel with signage showing for their Cinegrill.
Our searchlights move from Hollywood Blvd. to the entrance of the Shrine Auditorium. This area, now enclosed, used to be open to the street.
Another shot across the lower portion of the Shrine Auditorium. Looks just like Hollywood Blvd., doesn't it? The Shrine Auditorium is south of downtown, near USC.
A drunk Norman Maine (Mason) has wandered onstage while Esther (Judy) is singing. Here we get a shot across the stage as she tries to drag him off. A lot happens in the next 2 and 3/4 hours. She becomes a star, he walks into the ocean to commit suicide, etc.
About an hour into the film Norman and Esther go to a movie at a theatre called the Marcopia. They're running a film of his which he admits is so bad that anything running with it would look good by comparison -- and what's running is a a preview of Esther's first film. Mike Hume notes that the exterior is the theatre building on the New York street set on the Warner lot, easily identified by the distinctive upright oval windows on either side of its facade.
The drape-framed shots with the movie playing are too dark to discern anything and were probably done on a sound stage. The shots of the enthusiastic audience later coming out of the theatre were done using the backlot set.
We go back to the Shrine for a third time in the film for another Actors Relief Fund benefit at the end of the show.
Also see Mike Hume's fine page about the Shrine on his Historic Theatre Photography site.
On IMDb: "A Star is Born"
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