A "Closed For Restoration" shot of the Vista Theatre from Fabrice Ziolkowski's "L.A.X."
(1980), dubbed "A hypnotic city symphony of bygone LA." Los Angeles Filmforum and the Philosophical Research Society in Los Feliz are
hosting a July 17 screening of the 90 minute film as part of the PRS
"Yesterday LA2026" series. Tickets are on Eventbrite.
See the pages about the Vista Theatre on the Los Angeles Theatres site. As noted on the marquee it was to reopen August 1. It originally opened in 1923 as Bard's Hollywood Theatre.
There's a listing for the film on the Fabrice Ziolkowski website. The description:
"Avant-garde
documentary / 16mm black-and-white / 90 min. — written and directed by
Fabrice Ziolkowski. An experimental film essay on Los Angeles as a
landscape of movement, exile, infrastructure and disappearance. Screened
in museum and festival contexts, including the Reina Sofía in Madrid
and the Art Institute of Chicago, and discussed by film historian David
E. James in 'The Most Typical Avant-Garde.'"
A look west across Main St. toward the
Linda Lea Theatre, 251 S. Main. It began life in 1925 as the Arrow and was decades later rebuilt as the ImaginAsian, later renamed the Downtown Independent and then called The Kult.
The film's view of the back of the
Rialto Theatre, 812 S. Broadway. The signage pointing to the "Newsreel Theatre 8th & BDWY" is directing us to the
Tower Theatre. It was called the Newsreel from 1950 until 1965.
The April 1979 release "Boulevard Nights" playing with "The Swarm." See the pages about the
Orpheum Theatre on the Los Angeles Theatres site. It's at 842 S. Broadway.
There's five minutes of footage from the film on Vimeo featuring a long shot of the north side of 5th St. We get a quick look up Hill St. toward the oval Pussycat Theatre signage and then go by the Philharmonic Auditorium. See the pages about the Pussycat/Town Theatre and the Philharmonic Auditorium on the Los Angeles Theatres site.
There were notes about "L.A.X." on Eventbrite with the listing for the July 17, 2026 screening at the Philosophical Research Society:
"A rare screening of a landmark of Los Angeles avant garde cinema, a hypnotically drifting afternoon-to-evening cruise through a bygone LA... and a profound influence on subsequent works ranging from Pat O'Neill's brilliant 'Water and Power' to Thom Andersen's beloved 'Los Angeles Plays Itself.' Returning to Los Angeles screens for the first time in a decade, this seldom-seen work stands today as both an exquisite portrait of Los Angeles in 1980 and an inadvertent future artifact: a patient, immersive record of a city that has continued to erase, reinvent, and transform itself in the years since.
"A true city film and a singular avant-garde entry in the city symphony tradition—from Walter Ruttmann's 'Berlin: Symphony of a Great City' and Dziga Vertov's 'Man with a Movie Camera' to Chantal Akerman's 'News from Home' and Wim Wenders' 'Tokyo-Ga' —L.A.X. follows Los Angeles by car and on foot through long, hypnotic tracking shots and patient observations of its streets, landmarks, and overlooked corners. Created by French-American filmmaker Fabrice Ziolkowski, whose perspective seems suspended between Europe's deeper sense of historical continuity and America's restless appetite for reinvention, 'L.A.X.' brings to Los Angeles an outsider's eye akin to that of cinematic visitors like Agnès Varda, Jacques Demy, Wim Wenders, and John Boorman, rendering even its most familiar landscapes strange, improbable, and newly visible.
"Progressing from sweeping aerial vistas bathed in Southern California's stark, sun-bleached daylight to the seamier nocturnal realities of street-level Hollywood, L.A.X. traces a gradual descent from sunlit mythology into the noir realities and hidden histories that lie beneath. Accompanied by a richly layered soundtrack of ambient sounds, historical and literary texts, and songs ranging from Canned Heat to Robert Johnson, the film reveals a metropolis haunted as much by what is absent as by what remains—its displaced communities, vanished landscapes, and forgotten histories lingering just beyond the edges of the frame.
"The years have transformed what was once a portrait of the contemporary city into a kind of time-traveling road movie and urban séance, conjuring the vanished landscapes and past-lived realities of Los Angeles and inviting viewers to spend an evening drifting through them.
"FABRICE ZIOLKOWSKI is a French-American writer, screenwriter, filmmaker, translator and photographer. His work has moved across film, television, animation, documentary, translation, criticism and photography, often returning to figures and places at the edge of official narratives: workers, musicians, exiles, prisoners, vanished communities and myth-haunted landscapes. He wrote the screenplay for the Oscar-nominated animated feature 'The Secret of Kells' and is currently developing several literary projects, including 'The 12 Labors of Nathan Kowak,' a darkly comic American novel-in-stories."
On IMDb: "L.A.X."
